I love the contrast between the first two and the last two verses of this poem.
The author like myself is clearly not a fan of the baroque church style, an allegory for the way we "parody the divine. " No doubt there are other styles that do the same.
But the poem carries us across the dark chasm of the 40 days of Lent opened up by Ash Wednesday thoughts and takes us through to the much more lively light and energy of approaching Spring.
I love the imagery it portrays of the living God as a painter and animator of life running away, leaping and spreading a carnival of colour and renewal for us - reminding us that our God is a Resurrected Easter God and we are, or at least should live as Easter people....
For me, It is a poem which beautifully evokes the Franciscan spirit and the engagement of Celtic spirituality with the mysteries of the living earth:
Image from here
Louis Untermeyer, “Ash Wednesday” from Burning Bush (New York:
Harcourt, 1928). Permission is granted by arrangement with the Estate of Louis
Untermeyer, Norma Anchin Untermeyer c/o Professional Publishing Services. The
reprint is granted with the expressed permission by Laurence S. Untermeyer.
Source: Burning Bush (1928)
The author like myself is clearly not a fan of the baroque church style, an allegory for the way we "parody the divine. " No doubt there are other styles that do the same.
But the poem carries us across the dark chasm of the 40 days of Lent opened up by Ash Wednesday thoughts and takes us through to the much more lively light and energy of approaching Spring.
I love the imagery it portrays of the living God as a painter and animator of life running away, leaping and spreading a carnival of colour and renewal for us - reminding us that our God is a Resurrected Easter God and we are, or at least should live as Easter people....
For me, It is a poem which beautifully evokes the Franciscan spirit and the engagement of Celtic spirituality with the mysteries of the living earth:
The
Earth and all creation is alive with the
presence of God's presence. The poem enthusiastically affirms the
psalmist's
declaration, 'The heavens are telling the glory
of God;
and the firmament proclaims God's handiwork'
(Psalm
19:1).
God's Spirit
dwells in all living things, everything is
inherently
good... Every moment, every location and
engagement can
become a time and place for encountering God.
So, amongst other things, I hope to make 2012
a Celtic and Franciscan tinged Lent and pray that I may take time each day to pay attention and celebrate the wonder of
creation: to sense the changes taking place in myself, others and the world and even
those
changes I cannot see.
I will do all I that is
necessary to
nurture growth and marvel at the wonder of
Creation
and give thanks to God for the gift of life.
Image from here
Ash Wednesday
(Vienna)
I
Shut out the light or let it
filter through
These frowning aisles as
penitentially
As though it walked in
sackcloth. Let it be
Laid at the feet of all that
ever grew
Twisted and false, like this
rococo shrine
Where cupids smirk from candy
clouds and where
The Lord, with polished nails
and perfumed hair,
Performs a parody of the divine.
The candles hiss; the
organ-pedals storm;
Writhing and dark, the columns
leave the earth
To find a lonelier and darker
height.
The church grows dingy while the
human swarm
Struggles against the impenitent
body’s mirth.
Ashes to ashes. . . . Go. . . .
Shut out the light.
And so the light runs laughing
from the town,
Pulling the sun with him along
the roads
That shed their muddy rivers as
he goads
Each blade of grass the ice had
flattened down.
At every empty bush he stops to
fling
Handfuls of birds with green and
yellow throats;
While even the hens, uncertain
of their notes,
Stir rusty vowels in attempts to
sing.
He daubs the chestnut-tips with
sudden reds
And throws an olive blush on
naked hills
Who calls for sackcloth now? He
leaps and spreads
A carnival of colour, gladly
spills
His blood: the resurrection—and
the light.
Source: Burning Bush (1928)
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